Leslie Rees AM 1905-2000
George Leslie Clarence Rees was born in Perth, Western Australia, on 28 December 1905.
In 1929 a travelling scholarship took him to London.
In London, Rees worked as senior drama critic on The Era, a weekly theatrical paper.
In 1938 Rees founded the Playwrights’ Advisory Board.
of Australian plays being written for an Australian theatre in the Australian vernacular is taken for granted, but in Rees’ youth in the 1920s no such theatre existed. Australians were entertained on a diet of British and American imports, and the idea that Australian history and the ordinary, everyday lives of Australians might be fit subjects for the Australian stage was unimaginable. Rees, however, saw theatre as an art form that, by its very nature, showed us who we were. Until the Australian theatre found its own voice, expressing its own ethos and values, Rees felt, we would remain exactly what our theatre was showing us we were: a second-rate, imitative, grovelling, colonial culture of amateurs subsisting on a diet of imports.’
Leslie Rees wore many hats. He was an author, playwright, critic, theatre historian and editor of radio drama for the ABC, but it was as an advocate for Australian drama that he made his greatest contribution.
George Leslie Clarence Rees was born in Perth, Western Australia, on 28 December 1905. He worked as a reporter on The West Australian while he studied for an Arts degree at the University of Western Australia, and edited The Black Swan, the campus’ literary quarterly. In 1929 a travelling scholarship took him to London. There, two years later, he married Coralie Clarke, who had been his assistant editor on The Black Swan.
In London, Rees worked as senior drama critic on The Era, a weekly theatrical paper. He and his wife returned to Australia in 1936. Rees was appointed ABC drama editor later that year. During his 30-year tenure he encouraged local playwrights to submit original scripts, and soon developed a dynamic pool of talent including Max Afford, Edmund Barclay, Richard Lane, Catherine Duncan, Gwen Meredith, and many more. As well, he had plays by established dramatists such as Dymphna Cusack and Betty Roland adapted for radio. In 1941 he was instrumental in having The Fire on the Snow, Douglas Stewart’s brilliant verse play about Scott’s South Pole disaster, presented on radio. An instant classic, it has been re-broadcast many times and has been successfully transferred to the stage.
I n 1938 Rees founded the Playwrights’ Advisory Board, which was dedicated to the promotion of the interests of Australian dramatists. Their scripts were assessed, critiqued, and circulated to possible producers. In the Board’s 25-year history, around 260 productions were facilitated – including Ray Lawler’s Summer of the Seventeenth Doll – and 17 were published. Rees was the Board’s chairman throughout its existence.
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Angela Bennie: ‘Leslie Rees’, in The Sydney Morning Herald, 17 August 2000
Richard Lane: ‘Leslie Rees AM’, in Companion to Theatre in AustraliaCurrency Press, 1995
Richard Lane: ‘Playwrights’ Advisory Board’, in Companion to Theatre in Australia, Currency Press, 1995
Richard Lane: ‘Leslie Rees’, in The Golden Age of Australian Radio Drama, Melbourne University Press, 1994
Leslie Rees: Hold Fast to Dreams. Alternative Publishing Co-operative, 1982
Leslie Rees: Towards an Australian Drama, Angus and Robertson, 1953
L eslie Rees: A History of Australian Drama, two volumes, Angus and Robertson, 1987